Mortal Moon
Found these folks through their first instalment,
“Requiem”, about three years ago; very atmospheric
operatic, church mass-like stuff that made me think
that they were representatives of the Christian
metal movement, also due to the strongly
God-oriented lyrics… music-wise, however, they
exercised fairly effective epic doom of the more
laid-back, quasi-balladic type.
Three years later things are on a different scale;
this isn’t music strictly for the church goers
anymore although the delivery remains within the
epic doom metal confines, truly compelling elegiac
sorrowful stuff that will bring to mind early When
Heaven Wept (think “Of Empires Forlorn”, above all).
The approach is more dynamic than the one from the
debut, and one should be fully satisfied with the
bouncy veneer of “How Heavy Do I Journey” which
marches seismically guided by excellent clean
emotional vocals, a steady near-hypnotic performer
who never stretches his vocal cords towards the high
parametres, but exudes passion and authority all
over. The sombre academic clout of this masterpiece
is the main building block here, with only the
playful stoner-y “Will” and the energetic
faster-paced “Why” diversifying the setting the
latter welcoming a supreme doom opus after another,
with near-funereal trips (“No Longer Mourn for Me”)
respectfully making way for a tad more optimistic
jumpier numbers (“Thine Eyes”), the gorgeous lyrical
balladic procession “No! Time” enhancing the
instilled gravity with its dark gothic grandeur, a
most poignant saga that alone makes this album a
must-listen for doom metal fans, not to mention the
brilliant keyboard-ornated “Love's Not Time's Fool”,
a dropout from Theatre of Tragedy’s “Aegis” due to
its more intense, more overtly doomy character and
its bewitching melodic lead guitar work .
Totally arresting music, a feast for the fans of the
antediluvian slow-motion tactics although quite
frequently the band reach the mid-paced trajectories
here; this is far from the dirgy and the ponderous,
it’s vivid and mournful at the same time the guys
seeing more than just the obligatory light in the
tunnel at the end of their largely morose journey,
spicing their dark repertoire with brighter strokes
but always making sure they don’t blind the
grief-prone audience. I can totally see the Moon
trading its mortal status for an immortal one under
these heavy, majestically stomping sounds… how many
more sorrowful elegies of the kind the band will
need before toppling over Moon… sorry, Mirror of
Deception from the throne of German doom, that no
one can tell for sure. One thing is for certain,
though: this team are on the right track to reaching
there… a few more lunar strains should get the job
done.
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